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        <title>《幽灵出没的舞台》:为什么说戏剧在本质上都是“幽灵出没的”?</title>
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    <body>## 生平与创作&#xA;&#xA;主要研究领域为戏剧学理论、表演学理论、世界戏剧史、阿拉伯戏剧,并为《西方戏剧和阿拉伯戏剧》学刊创刊主编。曾获ATHE事业成就奖、乔治·吉恩·内森奖、伯纳德·休伊特奖、乔治·弗里德利奖、卡洛韦奖、古根海姆奖等重要奖项。主要著作有《戏剧理论》《表演批评》《用方言说话:戏剧中的语言》《戏剧》《打碎哈姆雷特的镜子:戏剧与现实》《一万个夜晚:50年看到的好戏》等。朱夏君,文学博士,上海戏剧学院副教授,纽约城市大学访问学者,汤显祖研究中心研究员,环球时报“希望英才”青年学者。主要研究方向为中国古典戏曲史论、昆曲、中外戏剧比较,曾主持并完成国家社科艺术学项目。[^online]</body>
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