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  "title": "文心雕龙 · ความสัมพันธ์",
  "description": "《文心雕龙》是南朝梁刘勰撰写的文学理论专著，全书五十篇，用骈文写成，系统论述文学的本原、文体源流、创作方法与文学批评，是中国古代体系最完整的文论著作。一般认为成书于南齐末年，通行注本为范文澜《文心雕龙注》与詹锳《文心雕龙义证》。",
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    "summary": "《文心雕龙》是南朝梁刘勰撰写的文学理论专著，全书五十篇，用骈文写成，系统论述文学的本原、文体源流、创作方法与文学批评，是中国古代体系最完整的文论著作。一般认为成书于南齐末年，通行注本为范文澜《文心雕龙注》与詹锳《文心雕龙义证》。",
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        "title": "文心雕龙（中文维基百科）",
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        "title": "文心雕龙（维基文库）",
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    "body": "## 概述\n\n《文心雕龙》是南朝梁刘勰撰写的文学理论专著，全书五十篇、约三万八千字，用骈文写成，是中国古代体系最为完整的文论著作。一般认为书成于南齐末年刘勰依附僧祐期间，书成后一度不为时人所重，经他求见于沈约后方才流传。[^zhwiki][^wikidata]\n\n## 结构与体例\n\n全书五十篇，末篇《序志》为自序：前五篇《原道》《征圣》《宗经》《正纬》《辨骚》为“文之枢纽”，确立宗经的主张；次二十篇分论诗、赋、史传、论说等三十余种文体，大体“原始以表末，释名以章义，选文以定篇，敷理以举统”；其余各篇论神思、体性、风骨、通变、情采、声律等创作问题，以及时序、才略、知音、程器等批评问题。[^zhwiki]\n\n## 主张\n\n刘勰主张文原于“道”，作文须征之圣人、宗法经书，同时肯定楚辞以来文学的新变，并强调内容与形式并重，反对过度追求辞采而失“风骨”。《时序》篇提出“文变染乎世情，兴废系乎时序”，把文学变迁与时代风气联系起来；《知音》篇则讨论批评者应有的素养。[^zhwiki]\n\n## 注本与研究\n\n通行注本有范文澜《文心雕龙注》、刘永济《文心雕龙校释》、王利器《文心雕龙校证》与詹锳《文心雕龙义证》，黄侃《文心雕龙札记》则开启了现代“龙学”的研究。敦煌写卷中存有本书唐抄残卷。[^zhwiki]\n\n## 影响\n\n《文心雕龙》在后代长期被视为文章学的要籍，与钟嵘《诗品》并称南朝文论的双璧；20世纪以来形成的“龙学”把它与西方文论并置讨论，是影响最大的中国古代文学批评著作之一。[^zhwiki]\n\n## 参见\n\n- [[work_cn_q465108|《诗经》]]\n- [[work_cn_q4151480|《古文观止》]]",
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